This is an actual, legit problem in Russia.
Kronotsky Nature Reserve, like most nature reserves, is pretty remote and relies on gas generators for electricity, and keeps jet fuel around in case a rescue copter is needed.
Thing is, these gas drums are just out in the open. And then the bears found them, and discovered that huffing the fumes got them high to the point of passing out. So now there are all these bears addicted to huffing jet fuel, and they’re teaching it to each other.
One one hand, nobody wants bears addicted to huffing highly flammable, toxic crap. It’s not healthy or safe for the bears to just pass out.
On the other, remove the jet fuel… and you have a population of bears going through drug withdrawal, and a bunch of nature reserve workers stuck with them in the middle of nowhere. Additionally, bears have started seeking alternate sources, like trailing behind a helicopter in hopes of fuel leaks, so taking away their source might be… ill advised.
This one of the most Russian things I’ve ever read.
the minute a man opens his mouth to talk about women’s issues and he refers to us as FEMALES…………. that’s the precise moment im gonna start daydreaming about shoving the wide end of a wine bottle down his stupid idiot throat
straight men trying to make Serious war dramas and accidentally making incredibly tender homoerotic cinema is the funniest thing
“The first time I called the CDC, I said that I wanted to talk to someone about possibly designing a zombie virus. …So every time I came up with a new iteration of Kellis-Amberlee, I would call back and say, “If I did this, this, this, this, this and this, could I raise the dead?” And every single time they would say, “No.” And I’d say, “OK,” hang up, and go back to working. After about the 17th time, I called and said, “If I did this, this, this, this, this, this and this, could I raise the dead?” And got, “Don’t … don’t do that.” At that point, I knew I had a viable virus.”
—
Seanan McGuire / Mira Grant (via mmastertheone)
Okay but this book actually sounds fucking amazing and I need to read it now? “Feed” by Seanan McGuire/Mira Gran (pen name)
Look at this! Look at this fucking thing! This was done in 1986, and used absolutely no CGI whatsoever. It was ALL practical, and ALL done through puppetry. Look at the last gif. Over a dozen vines are moving at once along with its head, lips, and tongue! In interviews Rick Moranis has stated he often forgot he was working with a puppet, as opposed to a really ugly guy. Even today it looks so real. Audrey ii is nothing short of miraculous
IM SORRY WHAT
WHAT
The practical effects of Little Shop of Horrors was fucking astounding. It’s worth it to mention that, in the scenes where the plant is moving, the filming was slowed to 12 to 16 frames a second, so that the film could be sped up to give the Audrey II a more lifelike appearance. In such scenes where actors like Rick Moranis had to speak with the plant, he had to mouth his lines at a slower-than-normal speed while still looking convincing, only to have his voice added in post.
It’s also worth mentioning that a crew of 60+ puppeteers were needed to operate the plant, as the entire puppet weighed over a ton.
“Hey, long time no talk. LM is visiting me. Do you remember what Tom Waits album you listened to when you and she had sex?” My friends are dead-ass weird























